By Anna Watz
In 1972, Angela Carter translated Xavière Gauthier’s ground-breaking feminist critique of the surrealist stream, Surréalisme et sexualité (1971). even supposing the interpretation used to be by no means released, the venture instantaneously proven and consolidated Carter’s past curiosity in surrealism, illustration, gender and hope and aided her formula of a brand new surrealist-feminist aesthetic. Carter’s sustained engagement with surrealist aesthetics and politics in addition to surrealist scholarship aptly demonstrates what's at stake for feminism on the intersection of avant-garde aesthetics and the illustration of girls and feminine hope. Drawing on formerly unexplored archival fabric, comparable to typescripts, journals, and letters, Anna Watz’s research is the 1st to track the total volume to which Carter’s writing used to be stimulated via the surrealist circulate and its severe background. Watz’s booklet is a crucial contribution to scholarship on Angela Carter in addition to to modern feminist debates on surrealism, and should attract students around the fields of up to date British fiction, feminism, and literary and visible surrealism.
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Extra info for Angela Carter and Surrealism: 'A Feminist Libertarian Aesthetic' (Studies in Surrealism)
Angela Carter and Surrealism: 'A Feminist Libertarian Aesthetic' (Studies in Surrealism) by Anna Watz