By J. Griffith Rollefson
Through research of recorded song and different media, in addition to interviews and fieldwork with hip hop groups, J. Griffith Rollefson exhibits how this tune created through black american citizens is deployed by means of Senegalese Parisians, Turkish Berliners, and South Asian Londoners to either differentiate themselves from and relate themselves to the dominant tradition. via listening heavily to the methods those postcolonial voters in Europe show their unity with African americans via song, Rollefson indicates, we will be able to actually listen the hybrid realities of an international double consciousness.
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Additional resources for Flip the Script: European Hip Hop and the Politics of Postcoloniality (Chicago Studies in Ethnomusicology)
Flip the Script: European Hip Hop and the Politics of Postcoloniality (Chicago Studies in Ethnomusicology) by J. Griffith Rollefson