By Eric Lott,Greil Marcus
Drawing on contemporary study in cultural experiences and social background, Eric Lott examines the position of the blackface minstrel express within the political struggles of the years prime as much as the Civil battle. studying minstrel song, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender method, Love and robbery argues that blackface minstrelsy either embodied and disrupted the racial traits of its principally white, male, working-class audiences. Underwritten via envy in addition to repulsion, sympathetic id in addition to fear--a dialectic of "love and theft"--the minstrel exhibit always transgressed the colour line at the same time it enabled the formation of a self-consciously white operating category. Lott exposes minstrelsy as a signifier for a number of breaches: the rift among low and high cultures, the commodification of the dispossessed via the empowered, the appeal combined with guilt of whites stuck within the act of cultural thievery.
This new version celebrates the 20 th anniversary of this landmark quantity. It encompasses a new foreword by way of well known critic Greil Marcus that discusses the book's impact on American cultural reports in addition to its courting to Bob Dylan's 2001 album of an analogous identify, "Love & Theft." furthermore, Lott has written a brand new afterword that extends the study's variety to the twenty-first century.
Read or Download Love & Theft: Blackface Minstrelsy and the American Working Class (Race and American Culture) PDF
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Extra info for Love & Theft: Blackface Minstrelsy and the American Working Class (Race and American Culture)
Love & Theft: Blackface Minstrelsy and the American Working Class (Race and American Culture) by Eric Lott,Greil Marcus